◆Khyber Pakhtunkhwa – Re:Discover Pakistan

20.08.2024 update

Kaghan Valley ; Himalayan Bird Watching in Summer

The best places to go birding and see Himalayan birds in Pakistan are the Margalla Hills in winter and the Kaghan Valley in summer. Birds that have spent the winter in the Margalla Hills, the Punjab Plains, and even in places as far away as southern India and Sri Lanka, come to the Kaghan Valley around May to breed and spend the summer. They reside in the valley’s moist temperate Himalayan forests (comprised mostly of evergreen conifers with some deciduous trees), which span an area of around 2,000~2,800 m.

The following is a record of my birding experience in the Kaghan Valley in late May. Many places in the Kaghan Valley, including Narang, have undergone development to accommodate domestic tourists (if I am to be honest, overtourism has left them in a terrible state), and birdwatchers are advised to avoid visiting during peak season or on weekends.

We walked along the slopes of a coniferous forest with giant pine trees and explored the streams and cultivated areas. During this visit, in addition to birds, we were able to observe two species of flying squirrels (the Kashmir flying squirrel and the red giant flying squirrel), as well as a rare species of Kashmir langur.

Here are some of the birds we encountered during our three days and two nights of birding.

This is a species I have encountered many times. The great barbet is widely distributed in Southeast Asia and South Asia, but is found only in limited areas in Pakistan, such as the Kaghan Valley and Murree. Being of 32~35 cm in length, it is the largest bird in the barbet family.

A verditer flycatcher (male). This summer bird is easy to observe as it often perches on top of tall trees.

Yellow-billed blue magpie are omnivores and can be encountered in a variety of situations. This family of corvids can be seen year-round in the Himalayan foothills.

A Himalayan bulbul. This is a species of bulbul found year-round in the area from Swat Valley to Chitral, and from Margalla Hills to Kaghan Valley.

A streaked laughingthrush. This bird is found year-round in northern Pakistan and could be observed daily in the Kaghan Valley.

A grey bushchat (male). This species makes short migrations (between 1900 m~3000 m) in the Himalayas and can be seen everywhere in the Kaghan Valley in summer. Females are buff (cream to light brown) in color.

A russet sparrow (male). This species seems to be seen year-round in the Kaghan Valley, but also migrates to the Punjab region in winter.

A blue-capped rock thrush (breeding male). A summer bird in northern Pakistan. They migrate to southern India in winter. It would be great to get a picture of the breeding males!

A lemon-rumped warbler. This bird makes short winter and summer migrations in the Himalayan foothills.

A green-backed tit breeding in a hole in a large dead pine tree. They can be seen year-round, but some migrate down to the Margalla Hills in winter.

A western crowned warbler, a summer bird of northern Pakistan that migrates to peninsular India for the winter.

A rufous-bellied niltava. This summer bird is observed in limited areas such as Murree and Kaghan Valley.

A chestnut-bellied nuthatch. A deciduous forest bird that is seen year-round in limited areas of Pakistan such as Murree and the Kaghan Valley.

A long-tailed minivet (male). Migrates to the foothills of the Himalayas in summer and along the Indus system to the central Punjab Plain in winter. Females have gray backs and yellow bellies.

An Indian blue robin (male). A summer bird of the temperate Himalayan forests. Its beautiful chirping echoed in the forest while we were observing it. In winter, it migrates to peninsular India and Sri Lanka, where it can be seen not only in forests but also in tea plantations.

A rock bunting, a summer bird of northern Pakistan that migrates to the Punjab plains and northern Balochistan in winter.

A black-and-yellow grosbeak (male). Found year-round in temperate Himalayan forests.。

A Himalayan bluetail. This summer bird of northern Pakistan migrates to the Himalayan foothills in winter. It used to be treated as a subspecies of the red-flanked bluetail, but due to differences in migration distance and the darker blue coloration of the adult male, it became an independent species.

The spot-winged tit or black-crested tit, a bird found year-round in the Himalayan coniferous forest zone, used to be treated independently as a species, but is now considered a subspecies of the coal tit.

A Himalayan woodpecker (male). This woodpecker is found year-round in the Himalayan forests of northern Pakistan.

Eurasian jackdaws observed from the parking lot of the Balakot restaurant where we had lunch. Their white eyes are very distinctive. We were also able to observe an Asian paradise-flycatcher in Balakot.

On a related note, I would like to share with you some of the other wildlife we encountered besides birds. My encounter with a rare Kashmir langur was so engrossing that I briefly forgot to keep looking for birds. At night, we observed two species of flying squirrels. Thanks to these activities, we had a very busy three days from early morning to midnight.

This animal is listed as endangered by the ICUN due to habitat loss. It is a member of the langur family, which is difficult to encounter due to its large migratory distance.

Flying squirrels start their activities at night, when they are no longer targeted by birds of prey, and we got the chance to observe two species, the red giant flying squirrel and the Kashmir flying squirrel, over the course of two evenings.

Finally, a photo of some other group members who enjoyed birding together. The birder population in Pakistan seems to be increasing!

Photo & Text : Mariko SAWADA

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20.07.2024 update

Over the Khyber Pass

The Khyber Pass is located between Peshawar and the border with Afghanistan. Since ancient times, it has been an important pass on the trade route between the Central Asian and Indian cultural regions. The mountain where the pass is located is called Spin Ghar (in the Pashto language) and was crossed by Alexander the Great’s army in the 4th century B.C., as well as by Xuanzang in the 7th century. During the Mughal period, it developed as part of the Grand Trunk Road, the main road from Agra, India to Kabul, Afghanistan. In modern times, it was a battlefield in the Afghan War during the British colonial period. After independence, it became an autonomous region of the Pashto tribe called the Federally Administered Tribal Areas (FATA), but that system was abolished in 2018. Foreigners visiting the area must have prior permission and be accompanied by security. When tourists talk about going to the Khyber Pass, it generally means visiting the area from the Khyber gate to the Michini check post.

Bab-e-Khyber and Jamrud Fort

This monumental gate was built in 1963 and is located 18 km from the center of Peshawar city. There is a small park next to the gate where the history of the Khyber Pass is inscribed on a stone tablet. Khyber Gate also appears on the Pakistani 10-rupee bill.

Just past the Khyber Gate, on the right, is Jamrud Fort. It was built by the Sikhs in 1823 on top of an old fort. General Hari Singh Nalwa, a hero of the Sikhs, was killed and buried at Jamrud Fort while fighting Afghans. The fort is manned by the Pakistani army and entry is not allowed.

A camel milk vendor from Punjab walking through Khyber Gate

Until 2007, there was a large Afghan refugee camp (Kacha Garhi refugee camp) near the Khyber gate; many refugees came and went through this gate from the Soviet invasion in 1979 until the end of the Afghanistan war.

Khyber Pass Viewpoint

The photo of the Khyber Pass shown in the guidebook features a view looking back toward Peshawar from the road on the way to the border. The road is now newly widened and is lined with transport trucks coming and going from the border, but it must have once provided a dramatic sight of the Gandhara Plain spread out in front of the caravans coming from Afghanistan.

Shagai Fort

The fortress was built by the British in the 1920s to monitor the Khyber Pass route. It is currently manned and monitored by the Pakistani Army. On the other side of the fort there is a new monument and a lookout tower.

Ali Masjid

This is the narrowest part of the Khyber Pass road, flanked by mountains on both sides. It was originally so narrow that two loaded camels could just barely pass each other. Because of its strategic importance, it was the site of fierce battles in past wars. The road has been gradually widened, but even today, the lanes are separated, with the lane heading toward Peshawar being built on a cliff.

The small Ali Masjid (a mosque), as well as a madrasa can be found along the road. The Ali Masjid Fort, where the Pakistani army is stationed, is located on top of the hill.

The Ali Masjid mosque along the road. A larger mosque is currently under construction.

Ali Masjid Fort overlooking the narrow road

Palatial Residence (Fort) of Ayub Afridi

Ayub Afridi is a well-known drug lord and tribal politician, known for the many interesting stories about his contacts with the United States, among other topics. Along the road is a wall of mansions with more than 100 rooms.

Sphola Stupa

The stupa dates back to the 2nd-3rd century Kushan period and is built on a three-tiered platform. Excavations in the early 20th century unearthed a Buddha statue, and as of 2024, the base of the temple is being restored. It is the only Gandhara Buddhist site in the Khyber Pass area.

Emblem of the Military Corps

The troops of various time periods who passed through the area carved their military emblems into the rock face as a commemoration of their passage.

Khyber Railway

There was a time when a steam locomotive operated once a month for tourists between Peshawar and Landi Kotal. The Khyber railway has a long history, having opened in 1926 during British rule era for the purpose of transporting military supplies. The railway runs from Peshawar to Landi Kotal, a distance of 40 km with a height difference of 600 m, crossing 34 tunnels and 92 railway bridges.

The area was devastated by heavy rains and flooding in 2006, and there is absolutely no hope of restoration. Currently, only the remains of damaged tracks, tunnels, steel bridges, and stations can be seen.

A preserved steam locomotive in Peshawar

Landi Kotal

The last town on the Pakistani side is Landi Kotal. Stores are spread out over an even lower level of the town’s main street. It was once known for its smuggled goods bazaar which dealt in arms and drugs. Today, there is still a vibrant market.

Landi Kotal people cheerfully talking to tourists

Michini Check Post

The last point on the Pakistan side that can be visited without an Afghanistan visa is the Michini Check Post, which overlooks the border town of Torkham. The border town of Torkham is 5 km downhill from here. The rocky mountains across the border are numbered from 1 to 3, and the border line between the two countries is the point where these lines are connected.

The Michini Check Post has a viewpoint where tourists can enter. From the viewpoint, there is an old building called the Taimoor Fort or Tamerlane Fort, which according to legend was used as a prison during Timur’s invasion of India.

Torkham Border

Approaching the border there is a dry port and an immigration control building. As of 2024, the Torkham border is the only open border between Pakistan and Afghanistan.

Porters carrying luggage and money changers waiting at the border

Corridor between Pakistan and Afghanistan

The border with Afghanistan is connected by a long corridor, and from there it is 230 km to Kabul, which takes about 6 hours by car.

Photo & Text : Mariko SAWADA

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11.06.2024 update

The Joshi Spring Festival: A Kalash Ritual

The Joshi Festival is held at the end of the long winter to celebrate the arrival of spring. Locals dress up in new clothes made during the winter and pray for the safety of livestock going out to pasture in the summer after the festival. The festival also serves as a place where young men and women can meet.

It has been a while since I last attended the Joshi festival. In the past few years, Pakistan’s frontier has been experiencing overtourism, with tourists from not only Europe and the United States but also Thailand, Malaysia, and other Southeast Asian countries now flocking to the area. In contrast, the Kalash Valley is dominated by Western tourists.

I was surprised to see the changes in the Chilam Joshi Festival via photos which recent Pakistani tourists upload on social media—for those who knew Kalash in the past, it may be an unfortunate sight to behold. I would like to share with you some of the rituals of the Joshi Festival that I experienced in the spring of 2024. The names, spellings, etc., were provided by the local people who guided me, and may differ from those found in official literature on the matter: I am merely presenting them as I saw and heard them in the field.

To the Kalash Valley

Although the suspension bridge across the Kunar River has been replaced by a concrete bridge, the traditional Ayun “villagescape” remains. Continuing on the road, there is a place where you can see the highest peak of Hindu Kush, Tirich Mir (7,708m), and if you keep going, you will drive along the river off-road with some overhanging cliffs. Then, starting from a suspension bridge, the road leads to the Bumburet valley on the left and the Rumbur valley on the right.

The Joshi festival of Kalash includes several rituals.

Picking Bisha Flowers (Pushen Parik)

Children go into the mountains to pick bisha flowers for temple decorations and, in the case of the Bumburet valley, for the Chirik Pipi ceremony. The bisha is a member of the bean family Piptanthus Nepalensis, and blooms earlier than other flowers. For the Kalash people, it is considered the flower that heralds the arrival of spring.

Girl heading home after picking bisha flowers

Temple Decorations (Pushi Behak)

Decorating a house or temple with bisha flowers is called pushi behak. In the Rumbur Valley, people were gathering flowers until evening, and at around 8:00 p.m., children gathered together until the start of the decorating ceremony. Around 9:00 p.m., someone banged a drum and the children all began to dance. After about 30 minutes of dancing, the children moved to their sleeping places. Early in the morning around 3:00 a.m., children carrying bisha flowers amd walnut branches started walking to the Temple of Jestak Han. At the entrance of the temple, last year’s flowers were removed and everyone decorated the temple with new flowers and walnut branches. After the outside was finished, they went inside to the altars of the four clans of the village, situated in the corner of the temple. One child went up as a representative, took down the old flowers, and decorated the altars with new ones. Then they went out to the square and danced for about half an hour.

Children heading to the Temple with bisha flowers and walnut branches

Women adorn the outer walls of the Temple of Jestak Han. Jestak is the goddess of family life, family, and marriage; the residence in which this goddess lives is called Jestak Han.

Inside the Temple of Jestak Han. When last year’s flowers are taken down, the altars of the village’s four clans are revealed

Altars covered with new bisha flowers and walnut branches

Baby Purification Ceremony (Gul Parik) in the Rumbur Valley

Gul Parik in the Rumbur Valley is performed on babies born during the period between festivals. For the Gul Parik ceremony performed during the Joshi festival, this includes babies born between the Chaumos festival in December and the Joshi festival in May. The mother and baby are considered “impure” before this ceremony, and Gul Parik purifies them both, while also acting as a prayer for the health of the baby.

The man who performs the ceremony purifies himself and the place where he bakes the ceremonial bread. He makes the sacred walnut bread from special flour that has been purified and prepared for this ceremony, using similarly purified tools. At least five pieces of bread are baked for the men and five for the women (each with a different flour), and about twenty pieces are baked, including those to be served.

Purified flour, walnuts and rock salt prepared for baking sacred bread for women and men

After the sacred walnut bread is baked, the mother and baby appear in the temple and the ceremony begins.

It was an amazing experience to be in such a divine space and to witness the unique “world” of Kalash prayer.

Milk Ceremony (Chirik Pipi)

The Chirik Pipi in the Bumburet valley in the morning, girls gather with milk containers and bisha flowers collected the day before. When the ceremony begins, all the children and ladies go to the sacred livestock shed. According to the villagers, this is sacred goat’s milk that has been stored since May 1^st. It is then given out to the women. Normally, the Chirik Pipi song (flower song) is sung here, but I did not get the chance to hear it. There are not one but several livestock sheds, and we visited two of them. Afterwards, we witnessed a beautiful scene of villagers dancing with the mountains in the background.

Kalash people gather to sing and dance before the ceremony

Children gathered with milk containers in hand

Distribution of milk from purified livestock. Chirik Pipi Ceremony

Women coming out of a livestock shed decorated with bisha flowers after receiving milk

Baby Purification Ceremony (Gul Parik) in Bumburet Valley

The Gul Parik in Bumburet is a different style of ceremony from that in Rumbur. All babies and mothers born since last year’s Joshi festival are purified, and prayers are made for the health of the babies. (There are actually several purification ceremonies—this is the final stage of the purification.)

A basket of walnuts and dried mulberries is delivered from the house where the baby is born to the village center. When signaled, the women of the village and the mothers and babies who are to undergo the ritual move to the area near the livestock shed. Then, a man from the village who has been assigned to perform the ritual throws milk at the gathered women and babies to purify them.

After the ceremony, the women gather again in the center of village, where baskets of walnuts and mulberries are distributed to everyone, including the tourists! Then, everyone returns to their homes to prepare for the “small Joshi (festival)” of Bumburet to be held on the same day.

Carry a basket of walnuts and dried mulberries. In some villages, it may be cheese

Mother and baby on their way to the purification ceremony

The man (chir histau) on the roof purifies the women and their babies with milk. This ritual is called Chirhistic

Walnuts and mulberries being distributed. The dog in the photo stayed with them throughout the ceremony. It seems that the people of Kalash and their dogs are very closely connected

Joshi Festival in the Rumbur Valley

After a series of ceremonies, the small Joshi festival (Satak Joshi) and the big Joshi festival (Gonna Joshi) are held. The festival is held in a covered venue and attracts a large number of tourists.

The small Joshi consists of repeated drumming, singing, and dancing, including Cha (a fast tempo song), Dushak (a slow tempo song), and the more complex Dalaija-i-lak, while the big Joshi includes a ceremonial performance at the end.

Kalash songs consist of drumming and singing, with limited melodic repetition. The lyrics are said to vary from ritualistic, to those touching on the mythology and history of Kalash, to those about love, and so on. The basic purpose of this music is to pray for a good harvest of milk and for the Kalash people to reaffirm their common identity.

At the end of the Joshi Festival, the special songs “Gandori” and “Daginai” are performed.

”Gandori” Both women and men hold walnut branches in their hands and wait for the moment to throw them

Daginai is a song that concludes the Joshi. It is a tragic love song, sung in a Cha melody. During the song, people dance in a chain connected by a string or cloth (originally woven from willow branches). It is said that if this chain breaks, it will bring misfortune, so everyone desperately grips the string. At the end, the sound of the drums suddenly stops, and all throw this cloth at once, ending the Joshi.

Lyrics of “Daginai.” (From article of “Kalash Symphony ‘Joshi’,” by Reiko Kojima, published by National Museum of Ethnology Japan in 1991)

Daginai, o’er the great valley
Some moons before the fest of Uchal, to the mountain pasture I took
O Daginai, O Daginai
With white-hilt blade, my bare stomach pierc’d
O Daginai

The background of this song is a tragic love story that is familiar to all Kalash people.

Once upon a time, a man fell in love with his wife’s sister.

Overwhelmed by jealousy, the wife killed her sister using snake poison, all while her husband was out on the pasture.

By the time he returned, the snake’s poison had already turned his lover yellow as a bisha flower; no life remained in her body.

In the throes of his sorrow, he sang the song “Daginai” and threw himself belly-first upon a blade, ending his life.

The man and his love were placed in separate coffins to rest, but when the next morning came, they were found together, sleeping peacefully beside each other.

Stunned by this, the village people separated them, returning them to their proper places. The next day, however, the couple’s bodies were found reunited in the same coffin once again.

So strong was their love, that not even death could part them.

The Joshi Festival is also significant because it acts as a meeting place for men and women. Traditionally, after the Joshi Festival, people go to their summer pastures, meaning the Uchaw Festival in late August (which is held after they return) is where the romance really happens. During the Uchaw Festival, the same stage as the Joshi is used, but this time only young men and women dance at night—in the hopes of finding a partner.

A gentleman who has been attending the Kalash Spring Festival for more than 25 years told me that although the Kalash costumes and the lifestyle of the young people have changed, the rituals are still the same as they were 25 years ago.

Photo & Text: Mariko SAWADA

Reference :”Kalash Symphony ‘Joshi’,” by Reiko Kojima, published by National Museum of Ethnology Japan in 1991)

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08.04.2024 update

Butkara I – Gandhara Site of the Swat Valley

Butkara I is an archaeological site in the Swat Valley, which was one of the centers of Gandhara. It is known for its main stupa, which dates back to the 3rd century B.C. to King Ashoka of the Maurya Empire, and for the 272 votive stupas that surround it. Butkara I has not only a group of stupas, but also a monastery and other buildings—though that part has not yet been excavated, and houses have already been built on top of it.

The site was excavated between 1956 and 1962 by the Italian Archaeological Mission and the Department of Archaeology of the Government of Pakistan. The site dates back to the 3rd century B.C. during the Maurya Empire and is believed to have been in use until around the 11th century A.D.

The main stupa, with its circular Sanchi-shaped base, was enlarged five times over the centuries, with the oldest part, a 3rd century B.C. Maurya Empire stupa. Part of the excavation site reveals the process of its expansion.

Around the main stupa, there is a path that devotees walked along to the right. The visitors must have worshipped not only the stupa but also the reliefs carved on the drum.

The paths around the stupa are covered with paving stones, and some of them still have glass decorations.

This seated Buddha relief was excavated from a layer containing coins of Azes II of the Indo-Scythians, dated 35-12 B.C., so the relief is considered to date to the late 1st century B.C. or early posterior AD. Conservative archaeologists believe it dates to the 1st or 2nd century AD, since the Buddha image is believed to have appeared later. The origin of the Buddha image has always been one of the major themes of Gandhara art. The date of the Buddha image’s appearance continues to be debated.

Let’s take a look at the votive stupa surrounding the main stupa. This votive stupa is a small stupa-shaped structure built around the main stupa. It is thought to have been donated by the royalty and nobility of the time. Votive stupas were also objects of worship at that time.

This is part of the relief on the square base of the votive stupa. This figure may be a depiction of the Great Departure from the life of the Buddha, in which the beloved horse Kanthaka is licking Siddhartha’s feet and farewells him. This votive stupa may have been decorated with motifs favored by the donor.

Relief of grapes on a votive stupa

The head of a tiger depicted in relief. In the lower right is a delicately carved Corinthian capital.

Tigers are believed to have become extinct in Pakistan around 1900. At that time, Bengal tigers must have roamed the rich Swat forests.

Relief of a person holding a bowl in a memorial service.

Relief of a votive stupa, Triratna (the Three Jewels). It depicts the three chakras which represent the Dharma, the Buddha, and the Sangha, as objects of worship.

The motif is not known due to the large number of missing parts. The material used for the sculpture is generally green phyllite.

Here are some of the Butkara I artifacts on display at the Swat Museum. I picked out some items that are unique to Swat.

Artifacts from Butkara I: A panel showing a scene from the life of Buddha: Siddhartha Going to School. This scene in Gandhara depicts him going to school riding on a sheep. Sometimes he rides directly on the sheep, and sometimes he rides in a sheep-led cart. So far, no theories seem to explain the reason for this.

Artifact from Butkara I: A female figure of an aristocrat of the time. She is wearing a very gorgeous hair ornament, showing the Swat customs of the time.

Artifact from Butkara I: Likewise, a statue that seems to represent an aristocratic woman of the time. The costume and decoration of the woman holding a lotus flower in one hand is beautifully depicted.

Artifact from Butkara I: This relief used to be at the site but was moved to the Swat Museum. In the scene of Siddhartha’s supposed “Engagement,” the prince Siddhartha stands in the center, the rightmost figure is a shy Yashodhara, and beside him is the priest that introduces Yashodhara. To the left of Siddhartha is a kneeling Mara and around her are Mara’s three daughters. Mara is depicted as a symbol of worldliness and a preventer of Siddhartha’s enlightenment.

Corinthian capital. It depicts a woman, possibly the donor, with acanthus leaves.

The Swat Museum has rooms for exhibiting artifacts from Barikot, the Saidu Sharif Stupa, and Butkara I. Please take your time to visit the museum.

↓↓ Butkara – Gandhara site of Pakistan

Butkara I – Although now surrounded by residential areas, a record of a visit by the Chinese monk Song Yun in AD 520 describes the very ornate Butkara Stupa complex.

Image & text: Mariko SAWADA

References: The Life of Buddha, by Isao Kurita, etc.

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19.06.2023 update

Rock Carvings of Shatial, – Silk Road heritage – soon to be submerged in the Indus river dam

This blog is documenting the precious Silk Road heritage site, the ‘Indus rock carvings’, which will be lost forever in a few years when two dams on the Indus River are completed.

Stunning stupa depictions and inscriptions, “rock carvings of Shatial”

Shatial Rock Carvings, on a slope slightly off the Karakoram Highway down to the Indus River, located on the south bank of the Indus, between the Darel Valley to the east and the Tangir Valley to the west, were very important site for travelers, trade caravans and pilgrims on the Silk Road.

The rock carving ranges from those considered pre-Buddhist to those from the Gandhara heyday and post-Gandhara eras.

Firstly, the picture below shows the most famous rock carving in Shatial site. This rock art is impactful enough to elicit “wow!” response even from an ordinary tourist.

In the center of the rock is a large, delicately depicted stupa with many bells. On the left is a depiction of the “Sibi Jataka” and on the right is a votive stupa.

On the left side of the rock, the name of the stupa’s builder is inscribed in Kharoshthi script (or Gāndhārī, ancient Indo-Iranian script), which dates back to the 5th century.
Between the stupa and the votive stupa the names of people who lived back then (perhaps, some dignitaries) are inscribed in Brahmi and Sogdian script.

Two devotees dressed in Central Asian-style costumes approach the main stupa from three stepping stones. This staircase leads to a plinth decorated with a ‘four-stepped design’. Two pillars support the beam and the domed stupa. Bells are also attached to the beam, stupa and niche.
The stupa is topped by a series of umbrellas, from the top most of which hang down banners on either side like an arch. Small bells are also attached to the umbrellas, making this rock engraving different and novel from the other stupas.

The votive stupa to the right of the main stupa has four steps leading up to a high base, depicting a triangular stupa with a series of umbrellas above it and flags billowing and fluttering. It is a different style of depiction from the main stupa.

This figure on the left shows the ‘Sibi Jataka’.

About Sibi Jataka

（The Jataka is the stories of former lives of the Buddha ）

There was a kind-hearted king named King Sibi.
A dove chased by a falcon flew to King Sibi and asked for help.

The falcon came to King Sibi and said, “I have not eaten for many days and if I do not eat the dove, I will die from starvation. Whose life do you consider more important, the dove’s or mine?”

So King Sibi thought that the falcon’s life is also important, so he cut off a piece of meat from his own leg, weighing the same as the dove, and placed it on the balance. But the dove was heavier, so he cut off the flesh again and placed it on the balance, but the weights were not equal.

King Sibi thought deeply and put his own body on the balance, and it balanced. The king said to the hawk, “Please eat me and get well”.
King Sibi tried to save the dove’s life by giving his own life to the falcon.

The falcon, knowing King Sibi’s heart, appeared to him in the form of Indra God and he saluted King Sibi’s action by saying, “You will become a Buddha in the future”.

In this rock carving, the Buddha sits in a cave, holding a ‘dove’ in his hand. The person depicted on the right holds a balance. The object on the balance is the flesh of King Sibi, which was cut off to save the dove’s life.
Below the Buddha holding the dove, devotees are depicted on both sides.

The above description is just one of many stories behind carvings in the main stupa. Shatial site has many other unique, valuable iconographies.

This is the carving on the rock opposite the main stupa, “Yantra”, a holy set of symbols at the center to the right, and “Labyrinth” on the bottom left.

Above and below are Sogdian tamga, emblems used by ancient Eurasian sedentary and nomadic tribes and their influenced cultures, represented in rock carving.

It’s difficult to see, but can you see the person holding what looks like a cup?

This is a rock carving of Sogdian performing a ritual in front of an altar, most probably. Probably a fire worship ritual?

Other animal rock carvings are depicted by people who walked the Silk Road. The rock carvings in the upper Indus, Gilgit and Hunza river basins are mainly ibex wild goat, with snow leopards and markhors goats, but here we see camels and elephants depicted.

The elephant figures remind us of the proximity to India. Apart from the picture below, there were several rock carvings that appeared to be camels and elephants, but only those that more or less certain are shown here.

There is always something new to discover at the Shatial site.

By the way, the village seen from the rock carving site is full of dwellings that have been built at a rapid pace to get compensation for the submerged dwellings caused by the dam. The environment around the ancient rock carving has changed considerably.

Photo & text : Mariko SAWADA

*About the article: the article is based on an old book. I wonder if other views and explanations exist. I would be very happy if you could let me know so that I can study it.

Reference :”Huma records on Karakoeum Highway”, ” The Indus, cradle and crossroad of civilizations”

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus.

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Category : - Indus river bank > ◆Khyber Pakhtunkhwa > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
Tag : Chilas Rock Carving , Indus Caravan , Petroglyphs , Saiyu Travel Pakistan , Diamer-Bhasha Dam , Pakistan Travel company , Rock art , Pakistan tour operator , shatial buddhist rock art , Pakistan Photography Tour , buddhism , Pakistan Blog , Indus river , buddhist art , Pakistan Travel Blog , silkroad , Travel Pakistan Blog , Shatial Rock Carving , Buddhist rock art , Wildlife of Pakistan , Chilas Petroglyph , Rock Carving

15.06.2022 update

Appreciating the Remaining Rock Art & Lamenting Their Impending Loss　(Part 3) Shatial

This blog is about the rock art from Shatial. It is known as a “Buddhist site” because a huge pagoda petroglyph, which is included in many of the tours to visit the Hunza region. This time, I was able to take a leisurely tour to look around more, and I found that there are many other rare works than just the famous pagoda.

Rock engraving of the pagoda, buddha image

Since Shatial is such a well-used transit point to cross the Indus River, since ancient times, many merchants, pilgrims, travelers, as well as Buddhists, have passed through. Many distinct designs and images were carved by the travelers. I will introduce a number of these rarer rock engraving.

A person who is raising their right hand

At first glance, it may seem that this person raising their right arm up, may be angry or upset, but the round halo behind his head indicates that this person was an Enlightened Buddha.

This 卍represents a swastika, which is a symbol of Buddhism along with the Dharmachakra wheel.

PitchforkThis is a three-pronged pitchfork. You can try to imagine whether it was used as a weapon, a religious symbol or for agriculture, but either way, it has been in use since ancient times.

There are not only pictures but also various writing engraved on the stones. It is believed to be languages like Karosti, Sogdian, Aramaic, and more which have been found here.

The center image to me, looked like three fingers with nails, but it may actually be depicting a plant.

This looks like a Buddha statue with Naga in the background, but it also looks like a flame, so there is a theory that it is a fire worship platform.

This is a person wearing a round mask with horns. The person is also wearing a skirt-like outfit which was very interesting.

Many animals were also depicted as well.

The camels were an essential animal for the travelers in their journey along the Silk Road.

Did the Indian elephants come this far up?

It was a small image, but animals like antelope were also engraved.

In Shatiar, various things were engraved in rock paintings; things used by ancient people of that time, the things they saw, and objects they worshiped. Just looking at this timeless rock art made me feel like I travelled back in time and experienced part of the hustle and bustle of daily life on the Silk Road.

Photo & text : Koji YAMADA

Visit : Nov 2021, Shatial, Khyber Pakhtunkhwa

Category : - the Karakoram Highway > ◆Khyber Pakhtunkhwa > - Indus river bank > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
Tag : Pakistan tour operator , Rock art , Pakistan Photography Tour , shatial buddhist rock art , Pakistan Blog , Indus river , buddhism , Pakistan Travel Blog , buddhist art , Travel Pakistan Blog , silkroad , Wildlife of Pakistan , Shatial Rock Carving , Buddhist rock art , Chilas Petroglyph , Indus Caravan , Chilas Rock Carving , Saiyu Travel Pakistan , Petroglyphs , Diamer-Bhasha Dam , Pakistan Travel company

22.02.2022 update

Visiting the Rumbur Valley, Home of the Kalash

Visiting the Rumbur Valley, where the Kalash live. It has been a long time since my last visit. I was thrilled to meet these beautiful young ladies.

The village scene at dusk. The valley’s steep slopes are used as a base for these lively dwellings.

Here is a Pashtun street merchant who was selling plates on the corner. The young lady is negotiating with the man, but instead of money, she placed some walnuts in the bowl she wanted to buy and handed it to him. They are bartering! The white bag behind him, to the left of the photo, is full of walnuts.

Going further into the village. The ditch full of trash caught my attention.

This lady was sewing on the terrace. She was using a sewing machine powered by her foot pedal. This is one of the beautiful sights of the Kalash Valley.

These young girls were playing a rock-kicking game. It is like an old Japanese children’s game! It really surprised me how similar it is.

The girls didn’t mind at all when the camera was pointed at them, and just continue to play their game. Some of the youngsters said proudly, “Foreigners take photos of us and publish them in books.” I really enjoyed spending time with these fairy-like girls, but the time came, and I needed to leave the valley.

This is the view of Tirich Mir (7,708m/25,288 feet), the highest peak in the Hindu Kush region. The view on the way through Ayun and Kalash Valleys, of this high peak, is one of the bonus scenes of this trip.

Photo & text : Mariko SAWADA

Visit : Nov 2021, Rumbur, Kalash Valley, Khyber-Pakhtunkhwa

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Category : - Kalash Valley > ◆Khyber Pakhtunkhwa
Tag : Bomboret , Bumburet , Chitral , Saiyu Travel Pakistan , Kafiristan , PakistanBlog , Kalash , Kalasha Valleys , Kalash valley , Bumburet Village , Kalasha , Pakistan Travels , Khyber Pakhtunkhwa , Pakistan Travel company , Pakistan Blog , Pakistan tour operator , Pakistan Travel Blog , Pakistan Photography Tour , Rambur , Ayun , Indus Caravan , Rambur valley

11.02.2022 update

Kalash Valley: November in the Bumburet Village

In early November, I visited the Bumburet Valley. If I had a chance to go a little earlier, I could have seen the Corn Harvest season, but instead I was there during the time of everyone preparing for the coming of winter.
In this time of the year, there are very few tourists and the village is pretty quiet.

We traveled through the town of Ayun to get to the Kalash Valley. This is the amazing view along the way. The towering Tirich Mir (7,708m/25,288 feet), the highest peak in the Hindu Kush, appears over the hills of Ayun. The massive form shines in the morning sunlight.

After crossing this suspension bridge, we come to the junction of the Bumburet and Rambur Valleys. We head west here and continue on to Bumburet.

The Kalash homes started to come into view. The wooden houses are built into the slopes, making efficient use of the terrace and roofs.

These young girls who were playing with a baby goat caught my attention. She has such a charming, fairy-like beauty.

I went up these stairs, made from a hollowed-out tree, to the shaman lady’s house.

This is the terrace of the shaman’s house. According to her, she has the power to foresee the future and find things people had lost, so the people asked her to become a shaman.

Inside the shaman’s house. With the light only coming in from the doorway, the traditional lifestyle of the Kalash people is simple.

These wooden statues stood in the village funeral parlour.

The handmade wine made by the Kalash people, I found it so good.

This woman is threshing crops on her roof. This is a scene that is unique to the harvest season.

It filled me with so much happiness to revisit a school teacher home in Anish village, I found daughter has now become a mother! I used to visit them often, so this is the best memory.

The last time I could visit Bumburet Village was 2 years ago. The Muslim population is increasing and the number of Kalash girls wearing hijabs was higher than before. The color of the handmade embroidery on the traditional folk clothing was quite popular and flashy.

Over the past 30 years, as a tour guide for Saiyu Travel, I have seen the decline of the traditional ethnic lifestyles and clothing in various parts of the world. For the people, the more things become more modernized, their life also becomes easier, so it means these traditional ways are lost voluntarily. But still, it makes me sad to see the sudden shift away from ancient traditions and beliefs. I send strong prayers that these precious ethnic minorities like the Kalash can hold on their culture and rich traditions as part of the Islamic Republic of Pakistan.

Photos & text: Mariko SAWADA
Visit: Nov 2021, Bumburet, Kalash Valley, Khyber-Pakhtunkhwa

Category : - Kalash Valley > ◆Khyber Pakhtunkhwa
Tag : Kalash valley , Bomboret village , Kalasha , Bumburet Village , Khyber Pakhtunkhwa , Pakistan Travels , Pakistan Blog , Pakistan Travel company , Pakistan Travel Blog , Pakistan tour operator , Pakistan Photography Tour , Ayun , Indus Caravan , Rambur , Bomboret , Rambur valley , Chitral , Saiyu Travel Pakistan , Bumburet , Kafiristan , PakistanBlog , Kalash , Kalasha Valleys

30.12.2021 update

Kalash Valley’s Bumburet and Rumbur

This is a video that highlights the scenery of the Kalash Valley when we visited in October. In the past when we visited Bumburet village, it was during the tourist season and quite crowded with domestic tourists.

However, by the middle of October, there were very few visitors at this time of year and the village was quiet.

KALASH VALLEY Bumburet & Rumbur｜カラーシャの谷（ボンボレット＆ランブール）

Image : Mariko SAWADA

Visit : Oct 2021, Bomboret & Rambur, Kalash valley, Khyber Pakhtunkhwa

Category : = Video Clip KPK > ◆ Video Breathtaking Views of Pakistan > - Kalash Valley > ◆Khyber Pakhtunkhwa
Tag : Pakistan tour operator , Ayun , Indus Caravan , Pakistan Photography Tour , Bomboret , Chitral , Saiyu Travel Pakistan , Rambur , Kafiristan , PakistanBlog , Rambur valley , Kalash , Kalasha Valleys , Bumburet , Kalash valley , Bomboret village , Kalasha , Bumburet Village , Khyber Pakhtunkhwa , Pakistan Travels , Pakistan Blog , Pakistan Travel Blog , Pakistan Travel company

30.11.2021 update

Crossing the Shandur Pass in the Autumn

In late October, Northern Pakistan’s poplar trees turn a golden hue, making it the most beautiful season of the year. Travel from Gilgit to Shandur Pass through the Ghizer District is spectacular. With less traffic in the valley, the view along the road is one of the best.

On this day, we left Gupis to travel towards Chitral. There were rows of golden poplar trees reflecting the sun against the clear autumn sky. However, as we kept stopping to get photos of the dynamic landscape, our progress getting to Chitral was quite slow.

As we made our way uphill to Phandar, we found a herd of yaks that were being gathered together. Due to snow in the higher elevations, they were being brought down and were being herded together to be taken to their pasture lands.

A view of the bridge near Phandar. In the past, many of the suspension bridges like this were made of stone, wood and wire. But they are steadily being replaced by concrete bridges made by China. As a photographer, it is sad to see these kinds of bridges getting phased out.

Eventually, we started up the Shandur Pass. We saw a donkey caravan passing us as they were heading down, loaded with fuel for their fires during the cold winter. Their heavy load was packed with materials for firewood, including dried cow and yak droppings

Shandur Pass at the altitude of 3,700m (12,140 ft). The Gilgit-Baltistan and Khyber-Pakhtunkhwa boarder is here. At the check post, all the foreigners will be asked to confirm their documents here.

When mentioning Shandur Pass, it is worth noting that it is famous for the “World’s highest altitude Polo Competition” the Shandur Polo Festival, which takes place in the summertime. The stadium was also covered by the snow.

This is a lake covered in ice on the Shandur Pass. This part of the road is extremely difficult to pass where the melting snow and sand mixes together into a muddy mess, causing a chaotic scene. 。

The steady, dependable vehicle of choice on these rough back country roads, is what is locally called the “Toyota Jeep.” These Toyota Land Cruisers from the 1970’s and 80’s are the go-to vehicle and have been retrofitted with the “Northern Pakistan Kit” both inside and out, which is designed to take a beating, but to get you to your destination.

These older jeep-type cars have been declining recently as newer land cruiser models become more popular, which is coming from Afghanistan into Gilgit-Baltistan and Khyber Pakhtunkhwa (Non Custom Paid Cars).

Even so, when it comes to driving in the snow, these rugged cars have a track record for being the most dependable. I’m so glad to know that even now, such an old Japanese car is still so heavily relied upon in the mountains of Pakistan. It is playing a vital role of connecting a remote village and delivering the supplies they need.

As we made our way down from the Shandur Pass, at the foot of the mountains, we stopped for a late lunch in the village of Laspur. We had lentils, curry made of freshly harvested potatoes, chicken curry, rice pilaf and naan.

In Laspur, this father and his daughter were running the wonderful “chaihana”. I was enchanted by the smile of this young lady.

We continued on our journey, taking the rough road to Mastuj, and then on to Chitral. By the time we arrived in Chitral, it was already dark.

Image & text : Mariko SAWADA

Visit :Oct 2021, Gupis, Phandar, Shandur Pass – Gilgit-Baltistan & Khyber pakhtunkhwa

Category : ◆ Gilgit-Baltistan > - Shandur Pass > - Ghizer / Shandur Pass
Tag : Pakistan Travel company , Pakistan tour operator , Pakistan Photography Tour , Khyber Pakhtunkhwa , Northern Pakistan Travel , Pakistan Blog , Autumn in Northern Pakistan , Pakistan Travel Blog , Ghizer , Travel Pakistan Blog , Ghizer Valley , Indus Caravan , Gupis , Phandar , Saiyu Travel Pakistan , Shandur pass