Pakistan tour operator – Re:Discover Pakistan

20.08.2024 update

Kaghan Valley ; Himalayan Bird Watching in Summer

The best places to go birding and see Himalayan birds in Pakistan are the Margalla Hills in winter and the Kaghan Valley in summer. Birds that have spent the winter in the Margalla Hills, the Punjab Plains, and even in places as far away as southern India and Sri Lanka, come to the Kaghan Valley around May to breed and spend the summer. They reside in the valley’s moist temperate Himalayan forests (comprised mostly of evergreen conifers with some deciduous trees), which span an area of around 2,000~2,800 m.

The following is a record of my birding experience in the Kaghan Valley in late May. Many places in the Kaghan Valley, including Narang, have undergone development to accommodate domestic tourists (if I am to be honest, overtourism has left them in a terrible state), and birdwatchers are advised to avoid visiting during peak season or on weekends.

We walked along the slopes of a coniferous forest with giant pine trees and explored the streams and cultivated areas. During this visit, in addition to birds, we were able to observe two species of flying squirrels (the Kashmir flying squirrel and the red giant flying squirrel), as well as a rare species of Kashmir langur.

Here are some of the birds we encountered during our three days and two nights of birding.

This is a species I have encountered many times. The great barbet is widely distributed in Southeast Asia and South Asia, but is found only in limited areas in Pakistan, such as the Kaghan Valley and Murree. Being of 32~35 cm in length, it is the largest bird in the barbet family.

A verditer flycatcher (male). This summer bird is easy to observe as it often perches on top of tall trees.

Yellow-billed blue magpie are omnivores and can be encountered in a variety of situations. This family of corvids can be seen year-round in the Himalayan foothills.

A Himalayan bulbul. This is a species of bulbul found year-round in the area from Swat Valley to Chitral, and from Margalla Hills to Kaghan Valley.

A streaked laughingthrush. This bird is found year-round in northern Pakistan and could be observed daily in the Kaghan Valley.

A grey bushchat (male). This species makes short migrations (between 1900 m~3000 m) in the Himalayas and can be seen everywhere in the Kaghan Valley in summer. Females are buff (cream to light brown) in color.

A russet sparrow (male). This species seems to be seen year-round in the Kaghan Valley, but also migrates to the Punjab region in winter.

A blue-capped rock thrush (breeding male). A summer bird in northern Pakistan. They migrate to southern India in winter. It would be great to get a picture of the breeding males!

A lemon-rumped warbler. This bird makes short winter and summer migrations in the Himalayan foothills.

A green-backed tit breeding in a hole in a large dead pine tree. They can be seen year-round, but some migrate down to the Margalla Hills in winter.

A western crowned warbler, a summer bird of northern Pakistan that migrates to peninsular India for the winter.

A rufous-bellied niltava. This summer bird is observed in limited areas such as Murree and Kaghan Valley.

A chestnut-bellied nuthatch. A deciduous forest bird that is seen year-round in limited areas of Pakistan such as Murree and the Kaghan Valley.

A long-tailed minivet (male). Migrates to the foothills of the Himalayas in summer and along the Indus system to the central Punjab Plain in winter. Females have gray backs and yellow bellies.

An Indian blue robin (male). A summer bird of the temperate Himalayan forests. Its beautiful chirping echoed in the forest while we were observing it. In winter, it migrates to peninsular India and Sri Lanka, where it can be seen not only in forests but also in tea plantations.

A rock bunting, a summer bird of northern Pakistan that migrates to the Punjab plains and northern Balochistan in winter.

A black-and-yellow grosbeak (male). Found year-round in temperate Himalayan forests.。

A Himalayan bluetail. This summer bird of northern Pakistan migrates to the Himalayan foothills in winter. It used to be treated as a subspecies of the red-flanked bluetail, but due to differences in migration distance and the darker blue coloration of the adult male, it became an independent species.

The spot-winged tit or black-crested tit, a bird found year-round in the Himalayan coniferous forest zone, used to be treated independently as a species, but is now considered a subspecies of the coal tit.

A Himalayan woodpecker (male). This woodpecker is found year-round in the Himalayan forests of northern Pakistan.

Eurasian jackdaws observed from the parking lot of the Balakot restaurant where we had lunch. Their white eyes are very distinctive. We were also able to observe an Asian paradise-flycatcher in Balakot.

On a related note, I would like to share with you some of the other wildlife we encountered besides birds. My encounter with a rare Kashmir langur was so engrossing that I briefly forgot to keep looking for birds. At night, we observed two species of flying squirrels. Thanks to these activities, we had a very busy three days from early morning to midnight.

This animal is listed as endangered by the ICUN due to habitat loss. It is a member of the langur family, which is difficult to encounter due to its large migratory distance.

Flying squirrels start their activities at night, when they are no longer targeted by birds of prey, and we got the chance to observe two species, the red giant flying squirrel and the Kashmir flying squirrel, over the course of two evenings.

Finally, a photo of some other group members who enjoyed birding together. The birder population in Pakistan seems to be increasing!

Photo & Text : Mariko SAWADA

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11.06.2024 update

The Joshi Spring Festival: A Kalash Ritual

The Joshi Festival is held at the end of the long winter to celebrate the arrival of spring. Locals dress up in new clothes made during the winter and pray for the safety of livestock going out to pasture in the summer after the festival. The festival also serves as a place where young men and women can meet.

It has been a while since I last attended the Joshi festival. In the past few years, Pakistan’s frontier has been experiencing overtourism, with tourists from not only Europe and the United States but also Thailand, Malaysia, and other Southeast Asian countries now flocking to the area. In contrast, the Kalash Valley is dominated by Western tourists.

I was surprised to see the changes in the Chilam Joshi Festival via photos which recent Pakistani tourists upload on social media—for those who knew Kalash in the past, it may be an unfortunate sight to behold. I would like to share with you some of the rituals of the Joshi Festival that I experienced in the spring of 2024. The names, spellings, etc., were provided by the local people who guided me, and may differ from those found in official literature on the matter: I am merely presenting them as I saw and heard them in the field.

To the Kalash Valley

Although the suspension bridge across the Kunar River has been replaced by a concrete bridge, the traditional Ayun “villagescape” remains. Continuing on the road, there is a place where you can see the highest peak of Hindu Kush, Tirich Mir (7,708m), and if you keep going, you will drive along the river off-road with some overhanging cliffs. Then, starting from a suspension bridge, the road leads to the Bumburet valley on the left and the Rumbur valley on the right.

The Joshi festival of Kalash includes several rituals.

Picking Bisha Flowers (Pushen Parik)

Children go into the mountains to pick bisha flowers for temple decorations and, in the case of the Bumburet valley, for the Chirik Pipi ceremony. The bisha is a member of the bean family Piptanthus Nepalensis, and blooms earlier than other flowers. For the Kalash people, it is considered the flower that heralds the arrival of spring.

Girl heading home after picking bisha flowers

Temple Decorations (Pushi Behak)

Decorating a house or temple with bisha flowers is called pushi behak. In the Rumbur Valley, people were gathering flowers until evening, and at around 8:00 p.m., children gathered together until the start of the decorating ceremony. Around 9:00 p.m., someone banged a drum and the children all began to dance. After about 30 minutes of dancing, the children moved to their sleeping places. Early in the morning around 3:00 a.m., children carrying bisha flowers amd walnut branches started walking to the Temple of Jestak Han. At the entrance of the temple, last year’s flowers were removed and everyone decorated the temple with new flowers and walnut branches. After the outside was finished, they went inside to the altars of the four clans of the village, situated in the corner of the temple. One child went up as a representative, took down the old flowers, and decorated the altars with new ones. Then they went out to the square and danced for about half an hour.

Children heading to the Temple with bisha flowers and walnut branches

Women adorn the outer walls of the Temple of Jestak Han. Jestak is the goddess of family life, family, and marriage; the residence in which this goddess lives is called Jestak Han.

Inside the Temple of Jestak Han. When last year’s flowers are taken down, the altars of the village’s four clans are revealed

Altars covered with new bisha flowers and walnut branches

Baby Purification Ceremony (Gul Parik) in the Rumbur Valley

Gul Parik in the Rumbur Valley is performed on babies born during the period between festivals. For the Gul Parik ceremony performed during the Joshi festival, this includes babies born between the Chaumos festival in December and the Joshi festival in May. The mother and baby are considered “impure” before this ceremony, and Gul Parik purifies them both, while also acting as a prayer for the health of the baby.

The man who performs the ceremony purifies himself and the place where he bakes the ceremonial bread. He makes the sacred walnut bread from special flour that has been purified and prepared for this ceremony, using similarly purified tools. At least five pieces of bread are baked for the men and five for the women (each with a different flour), and about twenty pieces are baked, including those to be served.

Purified flour, walnuts and rock salt prepared for baking sacred bread for women and men

After the sacred walnut bread is baked, the mother and baby appear in the temple and the ceremony begins.

It was an amazing experience to be in such a divine space and to witness the unique “world” of Kalash prayer.

Milk Ceremony (Chirik Pipi)

The Chirik Pipi in the Bumburet valley in the morning, girls gather with milk containers and bisha flowers collected the day before. When the ceremony begins, all the children and ladies go to the sacred livestock shed. According to the villagers, this is sacred goat’s milk that has been stored since May 1^st. It is then given out to the women. Normally, the Chirik Pipi song (flower song) is sung here, but I did not get the chance to hear it. There are not one but several livestock sheds, and we visited two of them. Afterwards, we witnessed a beautiful scene of villagers dancing with the mountains in the background.

Kalash people gather to sing and dance before the ceremony

Children gathered with milk containers in hand

Distribution of milk from purified livestock. Chirik Pipi Ceremony

Women coming out of a livestock shed decorated with bisha flowers after receiving milk

Baby Purification Ceremony (Gul Parik) in Bumburet Valley

The Gul Parik in Bumburet is a different style of ceremony from that in Rumbur. All babies and mothers born since last year’s Joshi festival are purified, and prayers are made for the health of the babies. (There are actually several purification ceremonies—this is the final stage of the purification.)

A basket of walnuts and dried mulberries is delivered from the house where the baby is born to the village center. When signaled, the women of the village and the mothers and babies who are to undergo the ritual move to the area near the livestock shed. Then, a man from the village who has been assigned to perform the ritual throws milk at the gathered women and babies to purify them.

After the ceremony, the women gather again in the center of village, where baskets of walnuts and mulberries are distributed to everyone, including the tourists! Then, everyone returns to their homes to prepare for the “small Joshi (festival)” of Bumburet to be held on the same day.

Carry a basket of walnuts and dried mulberries. In some villages, it may be cheese

Mother and baby on their way to the purification ceremony

The man (chir histau) on the roof purifies the women and their babies with milk. This ritual is called Chirhistic

Walnuts and mulberries being distributed. The dog in the photo stayed with them throughout the ceremony. It seems that the people of Kalash and their dogs are very closely connected

Joshi Festival in the Rumbur Valley

After a series of ceremonies, the small Joshi festival (Satak Joshi) and the big Joshi festival (Gonna Joshi) are held. The festival is held in a covered venue and attracts a large number of tourists.

The small Joshi consists of repeated drumming, singing, and dancing, including Cha (a fast tempo song), Dushak (a slow tempo song), and the more complex Dalaija-i-lak, while the big Joshi includes a ceremonial performance at the end.

Kalash songs consist of drumming and singing, with limited melodic repetition. The lyrics are said to vary from ritualistic, to those touching on the mythology and history of Kalash, to those about love, and so on. The basic purpose of this music is to pray for a good harvest of milk and for the Kalash people to reaffirm their common identity.

At the end of the Joshi Festival, the special songs “Gandori” and “Daginai” are performed.

”Gandori” Both women and men hold walnut branches in their hands and wait for the moment to throw them

Daginai is a song that concludes the Joshi. It is a tragic love song, sung in a Cha melody. During the song, people dance in a chain connected by a string or cloth (originally woven from willow branches). It is said that if this chain breaks, it will bring misfortune, so everyone desperately grips the string. At the end, the sound of the drums suddenly stops, and all throw this cloth at once, ending the Joshi.

Lyrics of “Daginai.” (From article of “Kalash Symphony ‘Joshi’,” by Reiko Kojima, published by National Museum of Ethnology Japan in 1991)

Daginai, o’er the great valley
Some moons before the fest of Uchal, to the mountain pasture I took
O Daginai, O Daginai
With white-hilt blade, my bare stomach pierc’d
O Daginai

The background of this song is a tragic love story that is familiar to all Kalash people.

Once upon a time, a man fell in love with his wife’s sister.

Overwhelmed by jealousy, the wife killed her sister using snake poison, all while her husband was out on the pasture.

By the time he returned, the snake’s poison had already turned his lover yellow as a bisha flower; no life remained in her body.

In the throes of his sorrow, he sang the song “Daginai” and threw himself belly-first upon a blade, ending his life.

The man and his love were placed in separate coffins to rest, but when the next morning came, they were found together, sleeping peacefully beside each other.

Stunned by this, the village people separated them, returning them to their proper places. The next day, however, the couple’s bodies were found reunited in the same coffin once again.

So strong was their love, that not even death could part them.

The Joshi Festival is also significant because it acts as a meeting place for men and women. Traditionally, after the Joshi Festival, people go to their summer pastures, meaning the Uchaw Festival in late August (which is held after they return) is where the romance really happens. During the Uchaw Festival, the same stage as the Joshi is used, but this time only young men and women dance at night—in the hopes of finding a partner.

A gentleman who has been attending the Kalash Spring Festival for more than 25 years told me that although the Kalash costumes and the lifestyle of the young people have changed, the rituals are still the same as they were 25 years ago.

Photo & Text: Mariko SAWADA

Reference :”Kalash Symphony ‘Joshi’,” by Reiko Kojima, published by National Museum of Ethnology Japan in 1991)

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08.04.2024 update

Butkara I – Gandhara Site of the Swat Valley

Butkara I is an archaeological site in the Swat Valley, which was one of the centers of Gandhara. It is known for its main stupa, which dates back to the 3rd century B.C. to King Ashoka of the Maurya Empire, and for the 272 votive stupas that surround it. Butkara I has not only a group of stupas, but also a monastery and other buildings—though that part has not yet been excavated, and houses have already been built on top of it.

The site was excavated between 1956 and 1962 by the Italian Archaeological Mission and the Department of Archaeology of the Government of Pakistan. The site dates back to the 3rd century B.C. during the Maurya Empire and is believed to have been in use until around the 11th century A.D.

The main stupa, with its circular Sanchi-shaped base, was enlarged five times over the centuries, with the oldest part, a 3rd century B.C. Maurya Empire stupa. Part of the excavation site reveals the process of its expansion.

Around the main stupa, there is a path that devotees walked along to the right. The visitors must have worshipped not only the stupa but also the reliefs carved on the drum.

The paths around the stupa are covered with paving stones, and some of them still have glass decorations.

This seated Buddha relief was excavated from a layer containing coins of Azes II of the Indo-Scythians, dated 35-12 B.C., so the relief is considered to date to the late 1st century B.C. or early posterior AD. Conservative archaeologists believe it dates to the 1st or 2nd century AD, since the Buddha image is believed to have appeared later. The origin of the Buddha image has always been one of the major themes of Gandhara art. The date of the Buddha image’s appearance continues to be debated.

Let’s take a look at the votive stupa surrounding the main stupa. This votive stupa is a small stupa-shaped structure built around the main stupa. It is thought to have been donated by the royalty and nobility of the time. Votive stupas were also objects of worship at that time.

This is part of the relief on the square base of the votive stupa. This figure may be a depiction of the Great Departure from the life of the Buddha, in which the beloved horse Kanthaka is licking Siddhartha’s feet and farewells him. This votive stupa may have been decorated with motifs favored by the donor.

Relief of grapes on a votive stupa

The head of a tiger depicted in relief. In the lower right is a delicately carved Corinthian capital.

Tigers are believed to have become extinct in Pakistan around 1900. At that time, Bengal tigers must have roamed the rich Swat forests.

Relief of a person holding a bowl in a memorial service.

Relief of a votive stupa, Triratna (the Three Jewels). It depicts the three chakras which represent the Dharma, the Buddha, and the Sangha, as objects of worship.

The motif is not known due to the large number of missing parts. The material used for the sculpture is generally green phyllite.

Here are some of the Butkara I artifacts on display at the Swat Museum. I picked out some items that are unique to Swat.

Artifacts from Butkara I: A panel showing a scene from the life of Buddha: Siddhartha Going to School. This scene in Gandhara depicts him going to school riding on a sheep. Sometimes he rides directly on the sheep, and sometimes he rides in a sheep-led cart. So far, no theories seem to explain the reason for this.

Artifact from Butkara I: A female figure of an aristocrat of the time. She is wearing a very gorgeous hair ornament, showing the Swat customs of the time.

Artifact from Butkara I: Likewise, a statue that seems to represent an aristocratic woman of the time. The costume and decoration of the woman holding a lotus flower in one hand is beautifully depicted.

Artifact from Butkara I: This relief used to be at the site but was moved to the Swat Museum. In the scene of Siddhartha’s supposed “Engagement,” the prince Siddhartha stands in the center, the rightmost figure is a shy Yashodhara, and beside him is the priest that introduces Yashodhara. To the left of Siddhartha is a kneeling Mara and around her are Mara’s three daughters. Mara is depicted as a symbol of worldliness and a preventer of Siddhartha’s enlightenment.

Corinthian capital. It depicts a woman, possibly the donor, with acanthus leaves.

The Swat Museum has rooms for exhibiting artifacts from Barikot, the Saidu Sharif Stupa, and Butkara I. Please take your time to visit the museum.

↓↓ Butkara – Gandhara site of Pakistan

Butkara I – Although now surrounded by residential areas, a record of a visit by the Chinese monk Song Yun in AD 520 describes the very ornate Butkara Stupa complex.

Image & text: Mariko SAWADA

References: The Life of Buddha, by Isao Kurita, etc.

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06.01.2024 update

“Alter Rock”, Thalpan – Petroglyphs along the Indus River

The Altar Rock at Thalpan is located on the sandy north bank of the Indus River. The rock is carved with motifs, mainly animal rather than Buddhist motifs. This is a fascinating example of Petroglyphs from the ancient Silk Road.

Since ancient times, Thalpan has had many visitors who come and go through this area. It was the nomads who first chose this site to carve. The rock face in front of the Alter Rock may have been used as a veritable ‘altar’, with various animals and slaughter scenes depicted.
These Petroglyphs with non-Buddhist motifs are thought to date from the mid-1st millennium BC.

One of the Petroglyphs that stands out on this Altar Rock is this image of a Warrior with Sacrifice. It appears to be a scene of a man slaughtering an animal (many sources call it a goat, but as an animal lover, it looks like an ibex to me). The figure of a Central Asian-style man holding a large knife is very distinctive.

The man’s dress is thought to be that of an equestrian nomad of the time, and it has been suggested that he may be from the Parthia, a dynasty that flourished on the Iranian plateau from the 3rd century BC to the 3rd century AD.

This animal sacrifice (or slaughter) Petroglyphs motif suggests that the influence of Central Asian peoples was stronger than the influence of Buddhism, which forbids the killing of animals.

This is a designed horse or unicorn with its forelegs bent at 45 degrees.

This pose, called “Knielauf,” was used in ancient Greece to depict a flying condition and was also popular in Achaemenid Persian art. The horse’s mane and tail are braided, giving them an appearance of bows.

Is it a designed ibex? The circular eyes are also an Iranian expression.

This shows a deer-like creature with antler and a predator with two tails chasing it. As a wildlife observer in Pakistan, it looks like a snow leopard attacking an ibex on a cliff to me. What is interesting, is that there is a head of a snake, at the end of the jagged line that also looks like a cliff.

One theory is that it shows an ibex in trouble, with a snake in front, a snow leopard behind, plus a hunter and his dogs, and nowhere to go.”

Such wavy designs are said to be a common feature of the art of the Altai region in southern Siberia.

The presence of Petroglyphs with Iranian elements at Altar Rock is not surprising, as Gandhara and Taxila were already satraps of the Achaemenid period. It is surprising that there was interaction between the Altai region of southern Siberia and this Indus region in the north, across one of the most mountainous regions in the world.

Petroglyphs from Thalpan Zyarat depict motifs from the Okunev culture of southern Siberia.

A large Buddha figure with a halo is seated with four smaller seated Buddha figures, also all with halos.

Each Buddha is in Dhayana Mudra sign and their garments cover their shoulders, with gracefully drawn parallel robe crests. Such garment crests are similar to designs found in the Gupta empire art, which flourished in India between AD 320 – 550.

A creature, possibly an ibex, is depicted on the same rock, and its movement and direction suggest that the ibex was carved first, and then the Buddha image was carved on top of it.

The west panel is also covered with Petroglyphs.

The Alter Rocks are the masterpieces of the Indus River Petroglyphs.

As we posted in previous blogs, it is such a shame that these rock carvings will be lost forever due to the construction of the dam.

Photo & text: Mariko SAWADA

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17.11.2023 update

Hunza, “Shangri-la” surrounded by apricot blossoms

In late March, the Hunza Valley is blanketed in pale pink apricot blossoms. The fields are green with wheat sprouts. After the independence of India and Pakistan in 1947, the Hunza was ruled by a dynasty until 1974. The valley is inhabited by the people of Brusho, who speak Brushaski.

Hunza is touted as the “Shangri-la” and is known as the “Village of Longevity.” This beauty and the life of this village supported by fruit trees, may be the “secret of longevity” that it is famous for.

Burushaski, the language spoken by the people of Brusho, is an “isolated language” that has not been found to be associated with any other language. It is said that they are the descendants of language groups that existed in this area before the arrival of the Indo-Aryan people. Burushashki-speakers also live in the Hunza Valley, the Nagar Valley across the Hunza River, the Yasin Valley leading to the Wakhan Corridor, and the Ishkoman Valley.

This is a view of the center of Baltit village. In the past, large buildings were limited to the surrounding of the Baltit Fort, which was the castle of the feudal lord, and the Darbar Hotel, but now large buildings (hotels) are becoming more prominent.

Rakaposhi peak (7,788m) seen from Baltit Village. It is in a mountain in the Nagar Valley on the opposite bank of the Hunza River and is a famous peak that can be viewed from everywhere in Hunza.

Also Diran Peak (7,266m) as seen from Baltit Village.

I walked between Altit Village and Duiker Hill, where the flowering apricots bloom.

The apricots in full bloom. You can see just how important the apricot trees are in the lives of the villagers, the fruit, its seeds and the oil taken from the seeds.

Altit Village was covered with many apricot trees. You can meet the beautiful villagers while walking around the village. The people of Hunza are white in appearance and many of them have light hair.

I met such lovely children this day.

For lunch that day, we had local Hunza cuisine prepared at Amin’s house in Baltit Village.

Photographer Toshiki Nakanishi had just come to Hunza for a phototour, where he was taking pictures of the local cuisine as it was being made.

Here they were preparing Dowdo soup, a dish representative of Hunza.

They made such a delicious cheese chapatti (called Burus Sapik in Burushaski). Hunza cheese, mint, tomato, green onion, onion and fruit oil wrapped in wheat chapatti. It is very healthy, and it is recommended for vegetarians who come to Pakistan and have trouble finding things to eat.

Today’s lunch. Local cuisine with plenty of fruit oil and Hunza’s local wine are so wonderful.

Photo & text: Mariko SAWADA
Visit: March 2023, Hunza, Gilgit-Baltistan

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21.09.2023 update

Climbing Shatung Peak, a 5,000-meter summit on Deosai Plateau

We finally fulfilled our long-cherished dream to climb Shatung Peak in the Deosai Plateau. That became possible only inn summer 2023, while in summer 2020 the tour was cancelled due to Covid -19 pandemic, when international flights were put to a halt. Overcoming the aftermath of pandemic and a tough route, we were able to reach the summit. We are tremendously grateful to our climbing guides and porters from Satpara village for their gracious support.

360-degree panoramic view from the summit. Feel like a high altitude climber!

From Chilas, we drove up to the Deosai Plateau through the Astor Valley. On the way, we were astonished by the view of Nanga Parbat (8,126m), the 9th highest peak on the planet. On the Deosai Plateau, we camped by the beautiful Sheosar Lake, from where this majestic peak was visible. The lake is a very beautiful peaceful place, but sadly many local tourists were enjoining loud music until late at night. The next morning we entered an area with no other visitors in sight and found the original Deosai Plateau.

The first part of the climb was a relatively easy route, with patches of buttercups and primroses. Little did we know that a difficult scree slope was awaiting.

The mountain en route is dotted with lakes in a very beautiful valley. The snowy mountain in front is Shatung Peak, and we are aiming exactly there!

We walked through a patch of primrose to the camp. It was easy up to this point.

We arrived at Camp 1 on the scree slope. Now where shall we pitch our tents?

Sleeping on the snow is generally much more comfortable than sleeping on scree. Finally, we will challenge the summit early tomorrow morning!

The route from Camp 1 to the summit is this slope, covered with a mass of smaller loose stones. The climb is steep and strenuous.

The view is spectacular when you stop and look back.

Beyond the mountains is Kashmir on the Indian side. Srinagar is also very close. The famous peaks of the Indian Himalaya, Nun peak and Kun Peak were also visible.

The world’s 9th highest peak, Nanga Parbat 8,126m, is on the left.

The steep climb up the scree slope is almost over. The ridge is getting closer.

Once on the ridge, all that remained was to climb up the snowy ridge. The sun was getting high in the sky.

We successfully climbed Shatung Peak (5,260m) with 5 core team members, guides, and porters! Nanga Parbat is in the background!

From the summit, we could see K2 and the Baltoro Mountains. From summit we could see all five of the 8,000 peaks in Pakistan: Nanga Parbat (8,126m), K2 (8,611m), Broad Peak (8,051m), Gasherbrum I (8,068m), and Gasherbrum II (8,034m). The weather was fine, with no wind. Forgetting about the steep scree slope that awaited us, we stayed at the summit for about an hour and enjoyed this blissful moment.

Image & text : Tomoaki TSUTSUMI

Tour conducted in July 2023, Deosai National Park, Gilgit-Baltistan

*Contact us, Indus Caravan for more information or to make arrangements for climbing Shatung Peak.

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Category : - Nanga Parbat > ◆ Gilgit-Baltistan > - Deosai National Park > ◇ Mountain of Pakistan
Tag : Deosai Plateau , Pakistan Travel company , Gilgit-Baltistan , Pakistan tour operator , Nanga Parbat view from Deosai Plateau , Pakistan Photography Tour , Northern Pakistan Travel , Skardu , Pakistan Blog , Pakistan Travel Blog , Shatung Peak , Travel Pakistan Blog , Indus Caravan , Deosai National Park

27.07.2023 update

Hungry Tigress Jataka- Rock Carving of Chilas

“This blog is documenting the precious Silk Road heritage site, the ‘Indus rock carvings’, which will be lost forever in a few years when two dams on the Indus River are completed”

Have you ever heard of the Hungry Tigress Jataka「捨身飼虎」? In Japan, the story of the Hungry Tigress Jataka is depicted on the side of the Tamamushi Zushi「玉虫厨子」, a national treasure in the collection of ancient Horyuji Temple（法隆寺）, even before Kyoto was built – when Buddhism was freshly adoped by the Japanese elite.

There are rock engravings along the Indus River in Chilas where the Hungry Tigress Jataka can still be seen, despite certain degree of deterioration the engravings underwent.

About Hungry Tigress Jataka （Vyaghri-Jataka）　

Long ago, there was a king in India who had three brothers, every of them a prince. One day, the king and the three princes went to play in a bamboo forest. There they met a mother tiger with seven cubs. The animals were starving, emaciated and on the verge of starvation.
The three princes felt deep compassion, but two of them left, saying that they could not save the animals. The third prince said, “Bodhisattvas offer themselves out of compassion to save others. I will offer myself to save the life of a starving tiger “. The prince gave himself up and the tiger ate him. The story goes that the prince who saved the lives of the tiger was the Buddha himself in one of his previous lives.

More information on Hungry Tigress Jataka and the Tamamushi Zushi at Horyu-ji Temple can be found on the websites of the respective temples.

The following is a sketch of this rock engraving, although it is quite faded and difficult to make out.

Source : The Indus – Cradle and Crossroads of Civilizations (Pakistan-German Archeological Research)

This sketch of the rock engraving shows a lying prince, a tiger cub about to eat the prince, the father king and two brother princes watching from safe distance behind a rock.

Decipherment of the Brahmi script beside this image has also proved that it is Hungry Tigress Jataka (Vyaghri-Jataka).

The entire surface of the rock on which the Hungry Tigress Jataka is depicted. A large stupa is depicted in the centre. There is a hemispherical Anda on a square base, with Harmika, symbolic umbrellas and banners, which are characteristic of the Gandhara style. It is thought that Buddhism was at its peak influence in the Upper Indus around the 5th century.

Unfortunately, this precious rock engraving will also be lost when the dam is completed. “Unfortunately” is not the right word that can be used to describe it, perhaps. The destruction of the rock engravings began with the construction of the Karakoram Highway in the 1960s, and the rock engravings have been destroyed with every expansion of the road. Some were even lost when they were painted over by people who did not like the Buddhist motif for a time.

Painted rock engravings along the Karakoram Highway. The central figure of a snow leopard chasing an ibex was washed out in December 2020.

Again, the time was limited, but we worked on washing the rock engravings that had been painted.

This is the current state of the rock engraving. From right to left, Manjushri, Bejewelled Buddha with a devotee holding an incense burner or lamp and stupa. A trefoil-shaped arch surrounds the Buddha’s entire body, is in Kashmir style.

The picture below shows how this looked before the paint was applied.

We will continue to wash off the paint from these rock engraving panels.Please come and witness this wonderful Buddhist heritage before it is submerged in the dam.

Photo & text : Mariko SAWADA

Site : Chilas, Gilgit-Baltitstan

*About the article: the article is based on an old book. I wonder if other views and explanations exist. I would be very happy if you could let me know so that I can study it.

Reference :”Huma records on Karakoram Highway”, ” The Indus, cradle and crossroads of civilizations”

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus river.

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Category : - the Karakoram Highway > ◆ Gilgit-Baltistan > - Indus river bank > ◇ Rock carvings / Petroglyph
Tag : Jataka , Pakistan tour operator , Engraving , Indus river , Buddhist remains , Chilas , Shatial , Chilas Rock Carving , Tiger Jataka , Silkroute , Pakistan Blog , Diamer Basha Dam , 捨身飼虎 , Travel Pakistan Blog , shatial buddhist rock art , Hungry Tigress Jataka , Indus Caravan , silkroad , Vyaghri-Jataka , Rock Carving , Saiyu Travel

17.07.2023 update

Souvenir from Hunza

Surrounded by the 7,000m-class high peaks of Karakorum, this Hunza village is famous for the amazing pink apricot flowers that bloom all over the valley.

The main street of Karimabad, the center of Hunza, which is lined with stalls selling local products. It’s not very big, but it’s a place where you can go casually and enjoy a stroll while sightseeing.

First of all, I will introduce dried fruits and nuts, which are the specialties of Hunza.

In Hunza, where apricots and other fruits thrive, the seeds are removed immediately after they are harvested. The fruits are then preserved by being dried in the sun, then sold in the market. The dried apricots are browner in color and have a firmer texture than common ones you might see in other places, but this is just proof that there are no additives in them. The more you chew the dried fruit, the more the gorgeous apricot flavor fills your mouth, and the taste becomes addictive.

The fresh nuts that are the most famous are walnuts, almonds, and apricot seeds. Apricot seeds look a lot like almonds at first glance. But you can enjoy that unique scent of the apricot that is familiar with almond tofu (the name is also confusing but it is because the two nuts are so similar). Although it has a slightly bitter taste, it is said to have the effect of boosting the immune system.

In addition, I also recommend you try the cherries, mulberries, and dried pears, as they are hard to find anywhere else.

At the bazaar, souvenirs of wooden products are also conspicuous. Apricot trees and walnut trees are also suitable for woodwork, so there are ornaments, accessory cases, and tableware made from these woods.

A spoon made of apricot and walnut wood. Each piece is handmade by an artist every day.

Handicrafts with traditional Hunza embroidery are also popular souvenirs. Bright embroidery is applied to wool bags, slippers and hats.

In addition, northern Pakistan around Hunza is the origin of many natural gemstones. Specialty stores sell colorful natural stones such as crystal, aquamarine, topaz, garnet and black tourmaline; and small rough stones can be obtained at relatively low prices.

Searching for your favorite stone or a birthstone will also make a special souvenir.

When you are wanting to take a quick break while exploring the bazaar, I recommend stopping by Cafe De Hunza.

Here, you can enjoy the famous walnut cake made with plenty of locally produced walnuts.

The cake goes very well with coffee. You can also take the cake home.

A famous cake filled to the max with caramel-wrapped walnuts

Cafe De Hunza also sold apricot oil for souvenirs.

It has a nourishing effect for sore throat, and it is a versatile oil that can also be used for skin care, as it has a very smooth application.

Dried fruits, woodwork, nuts, oil and apricots are used in everything by the locals. For the people of Hunza, apricots are essential and a very important part of their lives.

There are many things that I haven’t introduced yet, but when you visit Hunza, why don’t you take a walk around the bazaar and look for the Apricot Blossom Spring Valley souvenirs that are unique to this beautiful place?

Photo ＆Text : Madoka Nishioka

Visit : March 2023, Karimabad, Hunza, Gilgit-Baltistan

*Contact us, Indus Caravan for more information or to make arrangements for visiting Hunza, Northan Pakistan.

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Category : ◆ Gilgit-Baltistan > - Hunza Valley
Tag : PakistanBlog , Souvenir Pakistan , Apricot , Travel Pakistan , Karimabad , Pakistan Travel company , Gilgit-Baltistan , Pakistan tour operator , Pakistan Blog , Pakistan Photography Tour , Pakistan Travel Blog , Hunza cusine , Indus Caravan , Hunza food , Chap Shoro , Saiyu Travel Pakistan , Homestay at Hunza

19.06.2023 update

Rock Carvings of Shatial, – Silk Road heritage – soon to be submerged in the Indus river dam

This blog is documenting the precious Silk Road heritage site, the ‘Indus rock carvings’, which will be lost forever in a few years when two dams on the Indus River are completed.

Stunning stupa depictions and inscriptions, “rock carvings of Shatial”

Shatial Rock Carvings, on a slope slightly off the Karakoram Highway down to the Indus River, located on the south bank of the Indus, between the Darel Valley to the east and the Tangir Valley to the west, were very important site for travelers, trade caravans and pilgrims on the Silk Road.

The rock carving ranges from those considered pre-Buddhist to those from the Gandhara heyday and post-Gandhara eras.

Firstly, the picture below shows the most famous rock carving in Shatial site. This rock art is impactful enough to elicit “wow!” response even from an ordinary tourist.

In the center of the rock is a large, delicately depicted stupa with many bells. On the left is a depiction of the “Sibi Jataka” and on the right is a votive stupa.

On the left side of the rock, the name of the stupa’s builder is inscribed in Kharoshthi script (or Gāndhārī, ancient Indo-Iranian script), which dates back to the 5th century.
Between the stupa and the votive stupa the names of people who lived back then (perhaps, some dignitaries) are inscribed in Brahmi and Sogdian script.

Two devotees dressed in Central Asian-style costumes approach the main stupa from three stepping stones. This staircase leads to a plinth decorated with a ‘four-stepped design’. Two pillars support the beam and the domed stupa. Bells are also attached to the beam, stupa and niche.
The stupa is topped by a series of umbrellas, from the top most of which hang down banners on either side like an arch. Small bells are also attached to the umbrellas, making this rock engraving different and novel from the other stupas.

The votive stupa to the right of the main stupa has four steps leading up to a high base, depicting a triangular stupa with a series of umbrellas above it and flags billowing and fluttering. It is a different style of depiction from the main stupa.

This figure on the left shows the ‘Sibi Jataka’.

About Sibi Jataka

（The Jataka is the stories of former lives of the Buddha ）

There was a kind-hearted king named King Sibi.
A dove chased by a falcon flew to King Sibi and asked for help.

The falcon came to King Sibi and said, “I have not eaten for many days and if I do not eat the dove, I will die from starvation. Whose life do you consider more important, the dove’s or mine?”

So King Sibi thought that the falcon’s life is also important, so he cut off a piece of meat from his own leg, weighing the same as the dove, and placed it on the balance. But the dove was heavier, so he cut off the flesh again and placed it on the balance, but the weights were not equal.

King Sibi thought deeply and put his own body on the balance, and it balanced. The king said to the hawk, “Please eat me and get well”.
King Sibi tried to save the dove’s life by giving his own life to the falcon.

The falcon, knowing King Sibi’s heart, appeared to him in the form of Indra God and he saluted King Sibi’s action by saying, “You will become a Buddha in the future”.

In this rock carving, the Buddha sits in a cave, holding a ‘dove’ in his hand. The person depicted on the right holds a balance. The object on the balance is the flesh of King Sibi, which was cut off to save the dove’s life.
Below the Buddha holding the dove, devotees are depicted on both sides.

The above description is just one of many stories behind carvings in the main stupa. Shatial site has many other unique, valuable iconographies.

This is the carving on the rock opposite the main stupa, “Yantra”, a holy set of symbols at the center to the right, and “Labyrinth” on the bottom left.

Above and below are Sogdian tamga, emblems used by ancient Eurasian sedentary and nomadic tribes and their influenced cultures, represented in rock carving.

It’s difficult to see, but can you see the person holding what looks like a cup?

This is a rock carving of Sogdian performing a ritual in front of an altar, most probably. Probably a fire worship ritual?

Other animal rock carvings are depicted by people who walked the Silk Road. The rock carvings in the upper Indus, Gilgit and Hunza river basins are mainly ibex wild goat, with snow leopards and markhors goats, but here we see camels and elephants depicted.

The elephant figures remind us of the proximity to India. Apart from the picture below, there were several rock carvings that appeared to be camels and elephants, but only those that more or less certain are shown here.

There is always something new to discover at the Shatial site.

By the way, the village seen from the rock carving site is full of dwellings that have been built at a rapid pace to get compensation for the submerged dwellings caused by the dam. The environment around the ancient rock carving has changed considerably.

Photo & text : Mariko SAWADA

*About the article: the article is based on an old book. I wonder if other views and explanations exist. I would be very happy if you could let me know so that I can study it.

Reference :”Huma records on Karakoeum Highway”, ” The Indus, cradle and crossroad of civilizations”

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus.

*Please follow us on Youtube, Instagram & Facebook

Category : ◆Khyber Pakhtunkhwa > - Indus river bank > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
Tag : Pakistan tour operator , shatial buddhist rock art , Pakistan Photography Tour , buddhism , Pakistan Blog , Indus river , buddhist art , Pakistan Travel Blog , silkroad , Travel Pakistan Blog , Shatial Rock Carving , Buddhist rock art , Wildlife of Pakistan , Chilas Petroglyph , Rock Carving , Chilas Rock Carving , Indus Caravan , Petroglyphs , Saiyu Travel Pakistan , Diamer-Bhasha Dam , Pakistan Travel company , Rock art

23.05.2023 update

Skardu – Indus Valley in Spring

You will be amazed by the scenery as you arrive in Skardu on a domestic flight; almost all tourists take photos as soon as they arrive. The airport is on a desert plain, surrounded by snow-capped peaks, on the banks of the Indus River.

Skardu’s airport is on an high-altitude desert of 2,230m. Last year, it was promoted to “International Airport.” Recently, the operation rate of the Skardu route has improved, and it is now flying not only from Islamabad, but also from Karachi and Lahore in summer. However, in case of flight cancellation, there is no land route from Karachi. It is still safer for foreign tourists to choose flights from Islamabad instead.

Video of Islamabad – Skardu flight with the Nanga Parbat right at the front!

It takes about 20 minutes from the airport to the town of Skardu. Inhabited by the Balti people, Skardu means ‘land between two high places’ in the Balti language. It was once part of Tibet and was also a trading center to Kashmir. It later became Islamized, and after the independence of India and Pakistan in 1947, it went through three wars and in the end, it belonged to Pakistan.

March 23rd, when I arrived, was Pakistan Day. On March 22, 1940, Muhammad Ali Jinnah proposed the founding of Pakistan at a meeting of the All-India Muslim League, and on the following day, on the 23rd, the founding of the country was unanimously resolved. It is an important Pakistani Memorial Day, just like Independence Day.
There must have been an event at school, as there were children walking down the street with national flags in their hands.

Skardu’s Bazaar, a store that sells beans and grains.

A villager who came to buy goods from Kowardo village in the suburbs of Skardu. Their face is a bit Tibetan, unlike the Hunza and Punjab regions.
Balti men are known to be strong and are active in the K2 base camp trek and climbing in the summer.

A shop in the bazaar also had pink rock salt that was mined in the “Salt Range” from the Punjab region. There are various uses for it like salt licks for livestock, and smaller blocks are used when drinking “namkheen chai” (salty chai).
About Himalayan Salt: The Salt Range

At the Skardu vegetable market, a shipment of vegetables and fruits from the Punjab region arrived.

On this day, the apricots of Skardu were almost in full bloom

The Indus River seen from Hussain Abad Village in Skardu Valley. At this time of year, the Indus River is not mixed with melted glacier water and has a beautiful blue color.
The Indus River flows from Ladakh, India. 93% of the 3,180km (1,976 miles) long Indus River flows through Pakistan. After leaving the northern mountainous region, it flows across Pakistan into the Arabian Sea.

Skardu Valley looking back from the road from Skardu to Gilgit. This large canyon, 10 km wide and 40 km long (6.2 mi wide x 24.9 mi long), is said to have been formed by the glaciers of the Indus and Shigar Rivers between 3.2 million years ago and the Holocene period.

I took one last look before entering “Skardu Road,” which connects Karakorum Highway and Skardu.

The valley of Skardu is a very beautiful place with apricot blossoms in the spring, greenery in the summer and golden poplars in autumn.

Photo & text : Mariko SAWADA

Visit : March 2023, Skardu, Gilgiti-Baltistan

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Category : ◆ Gilgit-Baltistan > - Indus river bank > - Skardu Valley
Tag : Pakistan Photography Tour , Skardu , Northern Pakistan Travel , Pakistan Blog , Indus river , Pakistan Travel Blog , aerial photography , Travel Pakistan Blog , Sarfranga Desert , Indus Caravan , Shigar Valley , Shigar , Saiyu Travel Pakistan , Skardu Valley , Pakistan Travel company , Pakistan tour operator