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“Alter Rock”, Thalpan – Petroglyphs along the Indus River

The Altar Rock at Thalpan is located on the sandy north bank of the Indus River. The rock is carved with motifs, mainly animal rather than Buddhist motifs. This is a fascinating example of Petroglyphs from the ancient Silk Road.

Since ancient times, Thalpan has had many visitors who come and go through this area.  It was the nomads who first chose this site to carve. The rock face in front of the Alter Rock may have been used as a veritable ‘altar’, with various animals and slaughter scenes depicted.
These Petroglyphs with non-Buddhist motifs are thought to date from the mid-1st millennium BC.

overall view of Alter Rock

One of the Petroglyphs that stands out on this Altar Rock is this image of a Warrior with Sacrifice. It appears to be a scene of a man slaughtering an  animal (many sources call it a goat, but as an animal lover, it looks like an ibex to me). The figure of a Central Asian-style man holding a large knife is very distinctive.

The man’s dress is thought to be that of an equestrian nomad of the time, and it has been suggested that he may be from the Parthia, a dynasty that flourished on the Iranian plateau from the 3rd century BC to the 3rd century AD.

This animal sacrifice (or slaughter) Petroglyphs motif suggests that the influence of Central Asian peoples was stronger than the influence of Buddhism, which forbids the killing of animals.

This is a designed horse or unicorn with its forelegs bent at 45 degrees.

This pose, called “Knielauf,” was used in ancient Greece to depict a flying condition and was also popular in Achaemenid Persian art. The horse’s mane and tail are braided, giving them an appearance of bows.

Is it a designed ibex? The circular eyes are also an Iranian expression.

This shows a deer-like creature with antler and a predator with two tails chasing it. As a wildlife observer in Pakistan, it looks like a snow leopard attacking an ibex on a cliff to me. What is interesting, is that there is a head of a snake, at the end of the jagged line that also looks like a cliff.

One theory is that it shows an ibex in trouble, with a snake in front, a snow leopard behind, plus a hunter and his dogs, and nowhere to go.”

Such wavy designs are said to be a common feature of the art of the Altai region in southern Siberia.

The presence of Petroglyphs with Iranian elements at Altar Rock is not surprising, as Gandhara and Taxila were already satraps of the Achaemenid period. It is surprising that there was interaction between the Altai region of southern Siberia and this Indus region in the north, across one of the most mountainous regions in the world.

Petroglyphs from Thalpan Zyarat depict motifs from the Okunev culture of southern Siberia.

A large Buddha figure with a halo is seated with four smaller seated Buddha figures, also all with halos.

Each Buddha is in Dhayana Mudra sign and their garments cover their shoulders, with gracefully drawn parallel robe crests. Such garment crests are similar to designs found in the Gupta empire art, which flourished in India between AD 320 – 550.

A creature, possibly an ibex, is depicted on the same rock, and its movement and direction suggest that the ibex was carved first, and then the Buddha image was carved on top of it.

The west panel is also covered with Petroglyphs.

The Alter Rocks are the masterpieces of the Indus River Petroglyphs.

As we posted in previous blogs, it is such a shame that these rock carvings will be lost forever due to the construction of the dam.

 

Photo & text: Mariko SAWADA

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus river.

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Category : ◆ Gilgit-Baltistan > - Indus river bank > ◇ Rock carvings / Petroglyph
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Hungry Tigress Jataka- Rock Carving of Chilas

“This blog is documenting the precious Silk Road heritage site, the ‘Indus rock carvings’, which will be lost forever in a few years when two dams on the Indus River are completed”

 

Have you ever heard of the Hungry Tigress Jataka「捨身飼虎」?  In Japan, the story of the Hungry Tigress Jataka is depicted on the side of the Tamamushi Zushi「玉虫厨子」, a national treasure in the collection of ancient Horyuji Temple(法隆寺), even before Kyoto was built – when Buddhism was freshly adoped by the Japanese elite.

There are rock engravings along the Indus River in Chilas where the Hungry Tigress Jataka can still be seen, despite certain degree of deterioration the engravings underwent.

 

About Hungry Tigress Jataka (Vyaghri-Jataka) 

Long ago, there was a king in India who had three brothers, every of them a prince. One day, the king and the three princes went to play in a bamboo forest. There they met a mother tiger with seven cubs. The animals were starving, emaciated and on the verge of starvation.
The three princes felt deep compassion, but two of them left, saying that they could not save the animals. The third prince said, “Bodhisattvas offer themselves out of compassion to save others. I will offer myself to save the life of a starving tiger “. The prince gave himself up and the tiger ate him. The story goes that the prince who saved the lives of the tiger was the Buddha himself in one of his previous lives.

More information on Hungry Tigress Jataka and the Tamamushi Zushi at Horyu-ji Temple can be found on the websites of the respective temples.

The following is a sketch of this rock engraving, although it is quite faded and difficult to make out.

Source : The Indus – Cradle and Crossroads of Civilizations (Pakistan-German Archeological Research)

This sketch of the rock engraving shows a lying prince, a tiger cub about to eat the prince, the father king and two brother princes watching from safe distance behind a rock.

Decipherment of the Brahmi script beside this image has also proved that it is Hungry Tigress Jataka (Vyaghri-Jataka).

The entire surface of the rock on which the Hungry Tigress Jataka is depicted. A large stupa is depicted in the centre. There is a hemispherical Anda on a square base, with Harmika, symbolic umbrellas and banners, which are characteristic of the Gandhara style. It is thought that Buddhism was at its peak influence in the Upper Indus around the 5th century.

Unfortunately, this precious rock engraving will also be lost when the dam is completed. “Unfortunately” is not the right word that can be used to describe it, perhaps. The destruction of the rock engravings began with the construction of the Karakoram Highway in the 1960s, and the rock engravings have been destroyed with every expansion of the road. Some were even lost when they were painted over by people who did not like the Buddhist motif for a time.

Painted rock engravings along the Karakoram Highway. The central figure of a snow leopard chasing an ibex was washed out in December 2020.

Again, the time was limited, but we worked on washing the rock engravings that had been painted.

This is the current state of the rock engraving. From right to left, Manjushri, Bejewelled Buddha with a devotee holding an incense burner or lamp and stupa. A trefoil-shaped arch surrounds the Buddha’s entire body, is in Kashmir style.

The picture below shows how this looked before the paint was applied.

Source:The Indus – Cradle and Crossroads of Civilizations (Pakistan-German Archeological Research)

We will continue to wash off the paint from these rock engraving panels.Please come and witness this wonderful Buddhist heritage before it is submerged in the dam.

 

Photo & text : Mariko SAWADA

Site : Chilas, Gilgit-Baltitstan

*About the article: the article is based on an old book. I wonder if other views and explanations exist. I would be very happy if you could let me know so that I can study it.

Reference :”Huma records on Karakoram Highway”, ” The Indus, cradle and crossroads  of civilizations”

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus river.

*Please follow us on YoutubeInstagram & Facebook

 

Category : ◆ Gilgit-Baltistan > - the Karakoram Highway > - Indus river bank > ◇ Rock carvings / Petroglyph
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Rock Carvings of Shatial, – Silk Road heritage – soon to be submerged in the Indus river dam

This blog is documenting the precious Silk Road heritage site, the ‘Indus rock carvings’, which will be lost forever in a few years when two dams on the Indus River are completed.

 

Stunning stupa depictions and inscriptions, “rock carvings of Shatial”

Shatial Rock Carvings, on a slope slightly off the Karakoram Highway down to the Indus River, located on the south bank of the Indus, between the Darel Valley to the east and the Tangir Valley to the west, were very important site for travelers, trade caravans and pilgrims on the Silk Road.

The rock carving ranges from those considered pre-Buddhist to those from the Gandhara heyday and post-Gandhara eras.

Firstly, the picture below shows the most famous rock carving in Shatial site. This rock art is impactful enough to elicit “wow!” response even from an ordinary tourist.

In the center of the rock is a large, delicately depicted stupa with many bells. On the left is a depiction of the “Sibi Jataka” and on the right is a votive stupa.

On the left side of the rock, the name of the stupa’s builder is inscribed in Kharoshthi script (or Gāndhārī, ancient Indo-Iranian script), which dates back to the 5th century.
Between the stupa and the votive stupa the names of people who lived back then (perhaps, some dignitaries) are inscribed in Brahmi and Sogdian script.

Two devotees dressed in Central Asian-style costumes approach the main stupa from three stepping stones. This staircase leads to a plinth decorated with a ‘four-stepped design’. Two pillars support the beam and the domed stupa. Bells are also attached to the beam, stupa and niche.
The stupa is topped by a series of umbrellas, from the top most of which hang down banners on either side like an arch. Small bells are also attached to the umbrellas, making this rock engraving different and novel from the other stupas.

The votive stupa to the right of the main stupa has four steps leading up to a high base, depicting a triangular stupa with a series of umbrellas above it and flags billowing and fluttering. It is a different style of depiction from the main stupa.

This figure on the left shows the ‘Sibi Jataka’.

 

About Sibi Jataka

(The Jataka is the stories of former lives of the Buddha )

There was a kind-hearted king named King Sibi.
A dove chased by a falcon flew to King Sibi and asked for help.

The falcon came to King Sibi and said, “I have not eaten for many days and if I do not eat the dove, I will die from starvation. Whose life do you consider more important, the dove’s or mine?”

So King Sibi thought that the falcon’s life is also important, so he cut off a piece of meat from his own leg, weighing the same as the dove, and placed it on the balance. But the dove was heavier, so he cut off the flesh again and placed it on the balance, but the weights were not equal.

King Sibi thought deeply and put his own body on the balance, and it balanced. The king said to the hawk, “Please eat me and get well”.
King Sibi tried to save the dove’s life by giving his own life to the falcon.

The falcon, knowing King Sibi’s heart, appeared to him in the form of Indra God and he saluted King Sibi’s action by saying, “You will become a Buddha in the future”.

 

In this rock carving, the Buddha sits in a cave, holding a ‘dove’ in his hand. The person depicted on the right holds a balance. The object on the balance is the flesh of King Sibi, which was cut off to save the dove’s life.
Below the Buddha holding the dove, devotees are depicted on both sides.

The above description is just one of many stories behind carvings in the main stupa. Shatial site has many other unique, valuable iconographies.

This is the carving on the rock opposite the main stupa, “Yantra”, a holy set of symbols at the center to the right, and “Labyrinth” on the bottom left.

 

Above and below are Sogdian tamga, emblems used by ancient Eurasian sedentary and nomadic tribes and their influenced cultures, represented in rock carving.

Sogdian Tamga

It’s difficult to see, but can you see the person holding what looks like a cup?

This is a rock carving of Sogdian performing a ritual in front of an altar, most probably. Probably a fire worship ritual?

 

 

 

 

 

Other animal rock carvings are depicted by people who walked the Silk Road. The rock carvings in the upper Indus, Gilgit and Hunza river basins are mainly ibex wild goat, with snow leopards and markhors goats, but here we see camels and elephants depicted.

The elephant figures remind us of the proximity to India. Apart from the picture below, there were several rock carvings that appeared to be camels and elephants, but only those that more or less certain are shown here.

Petroglyph of Bactrian Camel
Petroglyph of Goose
Petroglyph of Bactrian Camel

There is always something new to discover at the Shatial site.

By the way, the village seen from the rock carving site is full of dwellings that have been built at a rapid pace to get compensation for the submerged dwellings caused by the dam. The environment around the ancient rock carving has changed considerably.

 

Photo & text : Mariko SAWADA

*About the article: the article is based on an old book. I wonder if other views and explanations exist. I would be very happy if you could let me know so that I can study it.

Reference :”Huma records on Karakoeum Highway”, ” The Indus, cradle and crossroad of civilizations”

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus.

*Please follow us on YoutubeInstagram & Facebook

Category : ◆Khyber Pakhtunkhwa > - Indus river bank > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
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Appreciating the Remaining Rock Art & Lamenting Their Impending Loss (Part 3) Shatial

This blog is about the rock art from Shatial. It is known as a “Buddhist site” because a huge pagoda petroglyph, which is included in many of the tours to visit the Hunza region. This time, I was able to take a leisurely tour to look around more, and I found that there are many other rare works than just the famous pagoda.

Rock engraving of the pagoda, buddha image

Since Shatial is such a well-used transit point to cross the Indus River, since ancient times, many merchants, pilgrims, travelers, as well as Buddhists, have passed through. Many distinct designs and images were carved by the travelers. I will introduce a number of these rarer rock engraving.

A person who is raising their right hand

At first glance, it may seem that this person raising their right arm up, may be angry or upset, but the round halo behind his head indicates that this person was an Enlightened Buddha.

A Swastika symbol

This 卍represents a swastika, which is a symbol of Buddhism along with the Dharmachakra wheel.

PitchforkThis is a three-pronged pitchfork. You can try to imagine whether it was used as a weapon, a religious symbol or for agriculture, but either way, it has been in use since ancient times.

Ancient characters engraved on the rock

There are not only pictures but also various writing engraved on the stones. It is believed to be languages like Karosti, Sogdian, Aramaic, and more which have been found here.

The center image to me, looked like three fingers with nails, but it may actually be depicting a plant.

This looks like a Buddha statue with Naga in the background, but it also looks like a flame, so there is a theory that it is a fire worship platform.

A person wearing a mask

This is a person wearing a round mask with horns. The person is also wearing a skirt-like outfit which was very interesting.

Many animals were also depicted as well.

The face of a camel

The camels were an essential animal for the travelers in their journey along the Silk Road.

An elephant

Did the Indian elephants come this far up?

It was a small image, but animals like antelope were also engraved.

In Shatiar, various things were engraved in rock paintings; things used by ancient people of that time, the things they saw, and objects they worshiped. Just looking at this timeless rock art made me feel like I travelled back in time and experienced part of the hustle and bustle of daily life on the Silk Road.

Photo & text : Koji YAMADA

Visit : Nov 2021, Shatial, Khyber Pakhtunkhwa

Category : - the Karakoram Highway > - Indus river bank > ◆Khyber Pakhtunkhwa > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
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